classic tracks !! ltd backstock..

classic acid and techno tracks

coverversion of the basementboys produced 1989 ultra nate classic tune // excellent kenny hawkes rmx (classic / music for freaks )

bouncy & raw styled funky piano tune !! // incl skylark rmx

prod by phil fuldner & moguai. big french style discoish house pounder

freaky klickin electro tracks...excellent reviews in de:bug

jake fairley und kollege ian worang schrammeln sich durch den joy division kosmos. ein dreckiger, düsterer & melancholischer trip. esst mehr gitarren ! played by dj hell (gigolo)

imagine a bridge between blackstrobe and green velvet over some serious dubbed bubbling vocodered electrotech! (our tip: elektronic generation)

3 track stormer that is guaranteed to blow-up dancefloors. banging beats, twisting 303s and a serious groove gets the asses shaking and the heads bobbing. for fans of bad boy bill, clamaran, and dj dan... get all over this

vocals over the freaks trademark mechanical funk workout. on the flip derrick carter's boompty-fied remix is a dirty twisted chi-town jack attack! already big with sneak, kenny hawkes, mark farina and heather - this is one for the movers and shakers on the floor. blam

amusiana is here to promote quirky, offbeat music through eclectic mixes that will surprise as well as entertain you. its run by steve rowlands whos previous collaborations and releases are as diverse as full moon scientist (a break beat/dub outfit signed to leftfields label hard hands and botchitt & scarper), pusmipulyu (a nu-jazz outfit with michael dog signed to interchill records) and melinda miel and marc almond (experimental torch songs on normal records) to name but a few.

mike redman’s score for the documentary “the ufos of soesterberg”.

die britischen songwriter graham coxon (blur) und rose elinor dougall (the pipettes) verlassen mit dem projekt the waeve auf höchst kreative und bestmögliche art die musikalische komfortzone ihrer hauptprojekte

soul & rnb

from 1992 !

christmas charity electronic music from the prspct camp - all proceeds of this cd will go to nonprofit organization “save the children”.

2cd with 32 funk /disco clasasics

legends of trance on 4cds ! incl sandstorm, seven days and one week, played a live, blah blah bla a.m.m. !

the fourth album from slovenian trio _irom.

unmixed cd. tip!

2021 scooter 2 fach cd

feat from rick ross, freddie gibbs, big sean, lil wayne, dom kennedy, queen naija, conway the machine, and westside gunn

electronix

jessy lanza is back with her long awaited 3rd album.

1905-2007

dj smoke continues his mixtape series with the 3rd entry, dedicated to the great dj premier.

first re-issue since its original release in japan in 1983, remastered from the original masters.

the godfather of house for his unrivalled contribution to the house music we know today what started as an underground movement in chicago has grown to international heights thanks to frankie

deluxe 2 cd digipack! silver hotfoil outer and embossed print! to this day, sven vŠth represents the electronic music scene like no other dj. in the nineties he was mentor and shaman, operating from frankfurt/ germany introducing us to the world of electronic music. after this crazy, extroverted years vŠth created the cocoon family as a global platform for his and his colleagues activities. vŠth has always been for the scene baba, which means dad in hessian dialect. today he is the baba for a new generation of djs: music is not about strategizing new release information your niche potential. it does not matter if a tune is approved by the opinion makers. itÕs about what you feel personally and what you can create with the music in your work as a dj. to this day, vŠth manages to play tracks that you wouldnt expect and puts them in a context you would not expect either. like no one else he succeeds in arranging the entire electronic music cosmos

cd edition in 2-panel digipack with 32-page stapled booklet.

martyn releases new album voids, his first for ostgut ton over the past year, dutch-born, washington d.c.-based producer martyn has undergone a metamorphosis Ð one that began with a medical emergency and has dovetailed into personal musical transformation. having narrowly avoided death after suffering a heart attack, martyn reentered his studio and began a process of reassessing the elements that drive him to make music: sampling, unpredictability, melancholy, sci-fi, polyrhythms, texture, ecstatic moments, detroit, interlocking percussion and bass. however, the initial spark to start producing again came through his experience listening to max roachÕs 1979 ensemble percussion album mÕboom.

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sailÕs sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling thatÕs even more defiant and deeply personal.
like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

for fans of:
john morales, crazy p, al kent, nile rodgers, todd terje, danny krivit.